Dark dance music and bloody mannequins. We’re going all out for this one. Stay tuned.
So I’m posted up in the Michigan forest with bags of treats and obese sunsets, geeked up on all the music from my state. Motown? Eminem? J Dilla? Iggy Pop? The MC5? All from Michigan, a state with way more influence on American music and culture than anywhere else besides New York, California, and possibly Tennessee. Madonna was born here, Aaliyah went to high school in Detroit, and we invented techno too. Pretty mindblowing that a state with a population of about 10 million has influenced music around the whole world far more than the megalopolis where I spend most of my days, Shanghai.
Here’s just a little sample of all the tunes from the mitten state, some you’ve probably heard and some lesser-known gems too.
The Temptations – Ain’t Too Proud To Beg
Diana Ross & The Supremes – Where Did Our Love Go?
Frank Wilson – Do I Love You? (Indeed I Do)
Rodriguez – Sugar Man
Iggy Pop and The Stooges – Gimmie Danger
The White Stripes – Offend In Every Way
A Number Of Names – Shari Vari
Moodymann – Give Me Your Love
Skream – Rollercoaster (Jimmy Edgar Remix)
MC Breed & DFC – Ain’t No Future In Your Frontin
Dayton Family – Flint Town
J Dilla – Crushin’ (Yeeeeaah!)
Danny Brown – Dope Song
There’s loads more…look out for part two coming soon.
Played a three-hour set over at Dada Bar last night and the recording came out pretty nice. Just uploaded the warm-up section, full of disco and italo heat and a little bit of that love music. No tracklist but I promise there’s loads of gems inside.
Back at Dada on Tuesday night then off to America for a month! Doing shows in Kentucky, NYC, Kalamazoo, and more. Stay tuned for more info on all that. For now, just come down and say goodbye if you’re in Shanghai on Tuesday.
does you like crab?
ayi like crab.
but crab not like ayi.
see, crab rarely walks.
and he thirsty for blood.
We’ve been digging into the old crates these last few weeks, looking at old-school electro and 90s MPC work, but let’s catch up with the new school for a minute. Some scoff “all this new shit isn’t hip hop! This some ratchet shit!” But that’s just the evolution and commercialization of a genre that’s approaching forty years old. Like it or not, it is what’s happening right now.
I’ll be the first to admit that the hip hop coming out in the 80s like Bambata and Mantronix was way more progressive and cutting-edge than anything coming out now (that I know of), but the kids aren’t trying to hear all that. A lot of this ratchet music is really fun to dance to. Also, let’s face it, a lot of old hip hop (especially before the 90s), much like old house, doesn’t sound very clean on a big soundsystem when played next to music made with modern production techniques.
New rap falls into three basic categories
1) Purification and polishing of tried-and-true rap motifs, e.g. Jay-Z’s Magna Carta Holy Grail, A$AP Rocky.
2) Rap/R&B crossover, e.g. Drake, “Pour it Up,” Chris Brown, etc. (note: fuck Chris Brown and I will never play his songs or any song he’s featured on in any of my sets)
3) Throwback rap, a la Joey Badass, Action Bronson, and Flatbush Zombies. Honestly a lot of this sounds like 90s New York hip hop, albeit updated. That’s fine because 90s rap > 2000s rap.
Note: There’s also strip-club rap (“Bands Make Her Dance,” Big Sean/Nicki Minage “Dance (Ass)”) and club rap (see Future Brown below).
Only a few mainstream rappers nowadays do anything that’s like “wow, that’s some different shit.” Like, when Wu-Tang Clan first came on the scene in 93, that was some different shit. Chance The Rapper, Lil B, Yeezus, Danny Brown, and even Busta Rhymes’ with “Twerk It” fall into this category.
So this week I’ve rounded up a few songs from the very recent past, from all of the aforementioned categories.
This first track is pretty much early 90s NY throwback a la Black Moon, but updated with craftier lyricism. We need more funny rappers/chefs like Action Bronson. Definitely appreciate the humor in this, or say, The Fat Boys, more than all the gangsta “leave you in the bushes” posturing. Wacka Flocka Flame/Action Bronson is a dream collabo.
Flatbush Zombies – Club Soda Feat. Action Bronson
But about that hard rap…I definitely slept on Yelawolf until his latest album, but he’s dope and there’s some really solid tracks on there. Love the production on this one. Sounds like GTA 5 soundtrack material.
Yelawolf – Gangster (Feat. ASAP Rocky & Big Henry)
Killer chorus and production on this YG song on a Jam City mix months back. This one definitely falls into the explicit Rap/R&B crossover sex-jam category, but it’s 2013 so YG and TeeFli come more direct and arguably less creative than older but similar tunes like H-Town’s “Sex Bowl.” Still, the beat and chorus on this…A levels.
YG – Sprung feat. TeeFli
Straight up Atlanta club-rap with a clever flow on the chorus. Probably the next “Versace” or “Bugatti.”
Johnny Cinco – Gave The Wrong Young Nigga Money
Heading to the East Coast for this one – a cross between Baltimore rap and dark-but-hype club music a la Kingdom and Nguzunguzu. Hopefully the commercial and underground worlds can more frequently meet somewhere in the middle like this kind of tune. For a good example of what I’m talking about, check Kingdom’s mix for Logo.
Future Brown – Wanna Party ft. Tink
And one more from Baltimore. Can’t get enough of good female rap…
Sheila D Yeah – Kill It (Prod. Jay Feddy)
Alright that’s all for this week – bump these hard on that public transportation. And if you know of some good new rap, please leave a comment!
This interview originally appeared in edited form over on Shanghaiist. Thanks to Rachel Gouk for getting that published. I’ve attached a few photos from the event last Friday, courtesy of Money Shots photography. Outstanding party with about 400 peeps through the door and a overall vibe of “let’s rage.” Here’s CRNKN chillin backstage just before his set, lookin hella determined after driving to Wuxi to DJ at an amusement park the night before then jetting back to LA fourty-eight hours later. For a twenty year-old, this kid is super focused. Full unedited interview below.
We’re living in strange times, where fiber optics, cracked software, and the MP3 have led to an era where music genres collide, transcending race and place. These postmodern conditions often and with increasing frequency result in similarly weird blends of styles that are discussed using words like “twerk,” “ratchet,” and “turnt up.” Such is the case of Trap Music,” the latest fad in another fad called EDM (Electronic Dance Music). In more tangible terms, trap music blends dubstep, southern rap instrumentals, gunshots/broken glass, rave sounds like synths, and slurred or shouted rap lyrics about sin. This is the sound of music festivals in America in 2013.
Enter CRNKN, a 20-year old from New Hampshire who happened to drop out of college and start producing electronic music around the time Trap was taking off a few years ago, acquired some fame from this, and has since distanced himself from The Trap and waded into other styles. His music, both original productions and remixes for artists like Die Antwoord and Major Lazer, is danceable, colorful, and playful like Studio Ghibli cartoons. He’s rocking Arkham this Friday along with Conrank, Mau Mau, Shanghai In The Trap, and yrs truly. I talked with him over Skype about living a few blocks from Skid Row, parties in Dim Sum restaurants, working construction, and what’s up on Friday night.
CRNKN: How’s it going?
Heatwolves (HW): Chillin in the kitchen, making cookies. Heavy cooking today. It’s 10AM in LA where you are, what are you eating for breakfast?
CRNKN: I have not eaten anything yet.
HW: Chinese breakfast, that’s one of the best parts about being here. Like after the show we’ll hit up the noodle restaurants and get pancakes on the street.
CRNKN: Sick, looking forward to it.
HW: Who are you, to people who don’t you?
CRNKN: I’m Gabe Baer, also known as CRNKN (“crankin”), from a little town on the East Coast in New Hampshire and I relocated to LA about a year ago.
HW: I saw you went backpacking and then you went broke, and that’s when you started producing music because you were broke?
CRNKN: Yeah I quit school and went on this really long backpacking trip and came back, didn’t have a job or any money. I wasn’t going to school so I had a lot of free time and I started producing when I wasn’t working a boring retail job.
HW: Where’d you go for the backpacking trip?
CRNKN: Central America. Costa Rica, Panama, Peru, and Nicaragua.
HW: I’ve been out here a long time so I’ve missed this whole EDM thing back home, but it’s huge. Are you an EDM artist?
CRNKN: I make electronic music, I don’t know if EDM is the best way to describe it, because that’s beginning to stand for repetitive music that isn’t very creative.
HW: So what kind of stuff are you playing in your sets?
CRNKN: I play a lot of different stuff in my sets; everything from ASAP Ferg, Mr. Karmac, Gesaffelstein, a lot of Bromance stuff…these dudes from Austrailia “Peking Duck,” I play a lot of their stuff.
HW: I read that you also play basketball?
CRNKN: I do play basketball. Pretty much every day.
HW: In LA, you play street ball or what?
CRNKN: [laughs] No, I’d get destroyed. And it’s pretty dangerous. I live right near Skid Row.
HW: What’s Skid Row like, for people who don’t know?
CRNKN: Skid row is this section of downtown Los Angeles where lots and lots of homeless people now call their home. There’s one street called San Pedro like three blocks from my apartment, and it’s literally just tents and blankets, and if you drive through there at night it feels like you’re in The Walking Dead, because there’s people stumbling through the streets, walking up to your car…it’s pretty crazy.
HW: Do people die down there?
CRNKN: Yes, people die down there.
HW: Damn, ten minutes from your house. Have you ever been robbed?
CRNKN: No, but the other day a hobo tried to steal my vitamins which was pretty dumb. I was walking back from Target and I’d just bought some multi-vitamins and he snatched my bag but I pulled it away and hit him with it then I ran, but that’s the only time in a year that someone’s tried to steal something from me.
HW: Just on the street like that?
CRNKN: I’ve never been anywhere in my life where you can be in a nice area with businessmen and Italian suits and people driving Teslas, and a block away there’s people dying on the streets. I don’t mean to paint it in a negative picture, because LA is really cool but it’s really strange seeing that kind of stuff on a fairly regular basis, especially coming from such a small town it was a pretty big culture shock.
HW: And you live in a building with a lot of other DJs, Who else lives in your building?
CRNKN: Kastle, Dillon Francis lived here but he just moved out, Dave Nada, LA Riots, AC Slater, Sabo…
HW: Wild. Do you have a car?
CRNKN: I don’t have a car but I’m moving out of downtown soon though which will necessitate that. Here you can walk everywhere or take the metro.
HW: Why the move out from downtown?
CRNKN: I like downtown a lot, I like the creative thing, but it’s also gross here, and I wanna have a dog and this isn’t a good place to have a dog. LA is weird, very strange. How many people live in Shanghai?
HW: About 20 million
CRNKN: That’s more than twice the size of LA. All of LA County is just 8 million and it’s still the second biggest city in the US.
HW: Have you been to Asia before?
CRNKN: No but China and Japan have been on my top go-to list since I was a little kid, and I’ve been slowly knocking countries off that list.
HW: I guess Japan is higher on that list because you’re an anime fan? What are your top three anime?
CRNKN: Yeah…I am a big fan of Japan, but like I said China’s always been in the works too. Top three anime…well, since I grew up watching it I’d have to go Dragon Ball Z for number one since I’ve been watching it since I was five years old. I take that back, anything by Studio Ghibli, Spirited Away/Princess Mononoke, those would go in number one, then Dragon Ball Z second, then Rurouni Kenshin for number three. All classics.
HW: I see you have a track out called “Akira,” classic anime.
CRNKN: Fantastic movie. I wish I didn’t have to put that song out cause I really liked it and I wanted to finish it and use it for something, but I lost the project file and I had that version saved so I just put it out otherwise it would have just sat on my computer forever.
HW: Interesting track, it’s kinda different from your other stuff.
CRNKN: Yeah pretty much everything I’m making right now is really different from my other stuff. The other stuff was fun when I was making it, but I was following a path everyone else is going in. And I realized I was doing that because that was cool and what people wanted to hear, and then I realized that that’s not why I started making music. So I just went back to making what I wanna hear and what I like listening to. And if people wanna listen to it that’s cool, and if not then that’s also cool. Just make whatever I wanna make and not be labeled. It’s still gonna be dancey but not necessarily gonna be the same thing every time.
HW: I saw a fan comment on the Akira track “if I paid to see you played this, I’d be mad.”
CRNKN: Yeah, and the thing is a lot of people have been mad at my sets lately because I stopped playing Trap. I still play some but I used to play all Trap sets because that’s what I was doing. I play a lot of different stuff and a lot of older fans have been pissed, but I made a point to say odds are I’m probably not gonna play the Trap anthem that you’re looking for me to play so don’t expect it. But for every trap fan I lose I gain one fan that’s really into what I’m doing now and excited about my other stuff.
HW: For people who don’t know, what is Trap?
CRNKN: Trap is the white-kid amalgamation of electronic music and southern drug rap, like Gucci Mane/Juicy J.
HW: That’s what’s popular in the States right now?
CRNKN: Yeah it’s really popular. That and big room house.
HW: Are there nights in LA where it’s all Trap, all night?
CRNKN: There were but LA is one of those fashion-forward sorta places so people get over stuff really quick here. And most of the people here are really in tune with what’s going on with electronic music, so it was really big here, but it’s tapering off because people have heard that a hundred times. So there’s a lot of deeper nights here now, like Dirtybird and those kinda vibes. New York is the same way. People were really stoked on trap and just got sick of it, but the rest of the states like the middle and the corners are all really into it still. Like the biggest shit ever.
HW: So house/deep house nights are popular now?
CRNKN: Well, for the people that are in-tune with what’s going on. And a lot of DJs are getting tired of trap. Not to say that it’s a bad thing but no one’s doing anything fresh, so a lot of people are hesitant to align themselves with it because they don’t wanna go down with the ship when people stop being creative which is sort of happening. That’s why I don’t wanna align myself with it because I don’t wanna align myself with shit that’s not creative or pushing the envelope.
HW: So what’s the next big thing then?
CRNKN: I don’t know, I’m really hoping that the next big thing is the US takes a break from really heavy shit and gets more into stuff that’s music-driven and vibey, instead of..you know. That’s what I’m hoping. It’s like that in the rest of the world, everyone is over big heavy music and we’re the only one’s still really stoked on it.
HW: I saw you DJed with Oneman (British DJ), how was that?
CRNKN: It was actually a really cool party, in Chinatown in NYC, in this Dim Sum restaurant, and it was this random-ass location and I was like “oh man this show isn’t gonna be great, it’s in the weirdest spot ever” but it was tight, super fun. It was sort of an underground show; really fun cause I don’t get to play stuff like that very often.
HW: How was Oneman’s set? What are the big differences between US DJs and UK DJs?
CRNKN: His set was good, a lot of hip hop. US DJs, we’re all about playing hits, and the UK DJs are a little less about that and more about cultivating a vibe. We’re about playing hit after hit until people are super tired and they go home. Not to say that’s it’s just us that want that, but that’s just the thing right now. People just wanna go in and be all that they can be while they’re at the show.
HW: Yeah people are wilding out, they’re dying. What do you think about this?
CRNKN: People are dumb. My gf and I talk about this a lot. At Electric Zoo in New York, two girls from the college I went to died, and it’s sad, and I don’t wanna sound insensitive, but if you’re gonna go get fucked up at a festival, you should learn how to do it the right way. Don’t be an idiot, drink some water. I feel terrible for families of the girls, but be responsible. It’s like anything; if you’re gonna operate an excavator you gotta know how to use it or you could smash someone’s car or something.
HW: Have you driven an excavator?
CRNKN: I have driven an excavator. I’m from a really small state and that shit is a lot more normal there, and my dad works for a construction company and I’ve worked construction.
HW: No shit, I worked construction too.
CRNKN: Construction sucks. It’s real work. It builds character but it’s hard. I don’t think I know a single person in LA that I could see doing construction. It’s hard.
HW: Do you go out much in LA?
CRNKN: The simple answer to that question is no. The longer answer is that I’m not old enough to go out here in LA yet. I’m only 20 so I can’t go out technically. I go out to things I can go to, like I just went out the Mad Decent block party, and went to HARD a month ago, and stuff I can go to, but more often than not I skip some of the smaller things. I’m kind of a homebody.
HW: Have you ever been to Low End Theory?
CRNKN: Yeah I’ve been a couple times, once Flying Lotus ended up playing as a special guest. No one knew that he was playing. He’s sick.
HW: About how many times a week do you play shows? Do you play any residencies?
CRNKN: Generally like two days a week, like every weekend or every other weekend. No residencies probably because I’m not old enough to go to the clubs where they have residents. I’m going on tour on October 17th with Bro Safari, so I haven’t been playing many shows, a little slow period before I go on tour.
HW: I’ve never heard the Bro Safari. Seen the name.
CRNKN: Yeah he’s got a really big US pull, he plays all the big festivals here.
HW: How long are you gonna be in town and what are you expecting?
CRNKN: Just the weekend, really quick four-day thing, really only two days in Shanghai. I’m not expecting anything. In the US I know a lot of the clubs, and I’ve played a lot of places. But when I went to Australia and Russia, I had no idea. It’s always different and it’s interesting to see how shows go.
HW: You played in Russia?
CRNKN: I’ve played in Russia, Isreal, Austrailia, China…the list is slowly growing.
HW: What was the club like in Russia?
CRNKN: I played in St. Petersberg and Moscow, and they were both awesome, but that was back when I was pretty thick into the trap thing, so they were trap shows. People were really excited.
HW: Friday’s gonna be good, Arkhams a dope venue, the lineup is dope. The other dude Conrank is a sick producer, does a lot of stuff with Chinese pop stars, Mau Mau that dude’s dope, I’m gonna open. Anything else you wanna say to the peeps in Shanghai, what can we expect?
CRNKN: I play a lot of different stuff, so if you’re not feeling something that I’m playing, I guarantee I’ll play something you’ll like at some point in the set, so there’s a little something for everybody and I super stoked to see what China’s all about.
HW: So we can expect a lot of your own productions [in the set]?
CRNKN: Yeah a lot of my new stuff, maybe 8 – 10 songs, and the rest is stuff I’m really into right now.
HW: Looking forward to it.
It’s the weekend of the mooncake here in China. You see, everything is related to the moon – time, women’s periods, cake, light…the list goes on.
There’s a whole economy built around mooncakes, fapiaos, mooncake tickets, and mooncake huangniu, but we’ll never understand that. Better not even try, and instead just enjoy the cakes. Sometimes life may give you a mooncake full of meat, or egg yolk, or even green tea, but that’s life. Run with it.
Did you know that just one moon cake can keep a starving child alive for one whole week? That’s proven by science.
Besides mooncakes, What’s Good This Weekend?
Thursday – All Vinyl Night at Logo. You know the deal. This time we’re bringing back all eight DJs who’ve played at 黑胶社会 plus local hip hop grl Cookie on the warm-up. No cover, great tunes, no digital.
Friday // Saturday – JZ Festival – Probably my favorite music festival in Shanghai, held in a beautiful outdoor garden venue just in Pudong.
Friday Night – Mad Decent’s CRNKN @ Arkham. This one looks good. Not only is the headliner dope, but you’ve got Conrank, Mau Mau, yrs truly, and some other cats on the lineup too. This one should pack out Arkham.
Friday // Saturday – DAFF – If you like art and culture and dogs, ethnic food, and good looking people, get down to this festival on the water that generally draws about 5,000 people. There really are a lot of attractive, happy dogs that you’ll want to pet.
Saturday Night – Shanghai All-Stars @ The Shelter. Shanghai’s original hip hop party Come Correct with a Saturday party in the original bar on Yongfu Lu. Before you could buy a posh $10 hot dog upstairs, before the hooker gangs chased drunk laowai down the street, and before that god damn monkey was there scaring the shit out of yrs truly, there was just The Shelter on Yongfu. Anyway Saturday night sees Shanghai’s realest, purest, funkiest, dopest hip hop night, hands down. And super rare for the Shelter, it’s free before 11PM.